Changing the fight scene week 3 and 4
During class in week 3 and 4 Ed and Steve have decided they
would like to change a major section in the story. They would like to change
the fight scene, a scene I made in the animatic to a scene which involves the
family using the platform as a counter wait to defeat the transformed alien. This
is a major change to hear from my group when we are in week 4 and they want to change about 30% of the film half way through
the production.
I spent time working on the fight scene in the animatic and if
they didn’t like it they could have told me (I am not upset) before waiting
till this late for a change. Now something I have always believed in and am now quoting from the best animators of all time, Chuck jones, Richard Williams
and so on. "Never get attached to your drawings".
Never get attached to your drawings.
What does "never get attached to your drawings" mean to me? It
means that if I draw something and it looks bad I start over and stop wasting time
polishing a turd.
If I spend hours drawing
a turd it’s still a turd. It also means that when I have an employer and I animate
something and my employer doesn't like it, I don’t cause a fuss and don’t get
all defensive. I just start again and make changes as requested. If you
are sitting there saying ‘I disagree with Stuart's opinion about not getting
attached to my work’, then watch the DVD with the Animators Survival Guide. If you
still disagree, then you also disagree with people from Pixar and Disney who deal
with change every day and this guy who probably has more experience than you, Rick
O’Connor.
I think my fight scene I made in the animatic looks great. Nevertheless, I am not getting attached to my work and am fine with a major
change to the film. There is only one thing that is not allowed by me. It is expanding
the scope of the project/film. If they want a change that makes the film longer
and give the film more work than I have to say NO, but if it makes the film
shorter and easier and more achievable then that would be fine.
Some people would think negatively if their work is removed from a
film. I am looking at this as an opportunity to make the
scope smaller which is probably necessary. I am turning what people would
see as a negative into an opportunity to improve the film. As long as they don’t
expand the scope of the project/film.
PS. "Scope", yes, I said it. And I’ll keep saying it.
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